TO FREDERICK GREENE, SALEM, MASS
July 30, 1821
I trust you are keeping well. Over
many weeks’ travel through
difficult country, I have carried
your last, which
I write upon verso. Yesterday
began sultry. I sought relief
in the shade of a forest. Following
a clear-running creek,
I came to a spacious river basin,
beside which were the first
chimneys I had seen
for a week’s time. Brother:
if you happened on a settlement shining
like a net of pearls,
soil so compliant every sunbeam
drove home a fruit, where
to stand in the road
was to know proportion,
to walk among apple blossoms
loosened all your grief, and the settlers
offered assurance and release once
you spilled your sins, laid down your
name, gave up relations and any hope
of tasting a woman’s lips, would
you make this trade?
Yours ever,
Isaac.
DREAM OF THE CIRCULAR SAW
Beside a river at the flood, a mill wheel
spitting tongues of flame. Two great doors
stand open: threshing time. Under rafters
swathed in cloud, no wheat. Elms, stripped,
arrayed in spokes on a floor clean as Ohio's prairie,
wider. By its order—circle in a square—
I knew the celestial city. No miller, no foreman,
only another wheel, toothed, half sunk
and the trunks striding to meet a blade
that neither bites nor pulls, but spinning, waits
for its fodder. And I saw our ruin is deliberate
stepping in time to be sliced, mortised
and fitted square into one of the mansions
already laid out in that city, waiting for boards.
HE CONSIDERS THE SPIRAL STAIR
Would I, if they scattered once across the sky—
half, gibbous, slipper, full—call her panoply
a moon? Old Adam in me needs to fix every
face, though it never settles, with a name.
From below, it’s a folding book, pages’ rhythm
suited to an ankle’s bend, but as I climb, treads
fan into orbits, tilting to receive. They stab—
then spindles loosen and align, a silk cord,
grass snake at noon. What eye can't parse,
the ankles comprehend. Now against a sapling
that twists and presses, its border must cave
or swell. If yours go up, how can mine fold
back? Landing’s sudden retrospect: what
seemed a penal ring was always pitching higher
along the crescent where candlelight won't
bend. Against this stave I step to a new air,
one I wouldn't know from the blackbird's,
his red flash across my cheek and gone.
Acknowledgements
"Dream of the Circular Saw" first appeared in The Portland Review Summer/Fall 2008.