Abra Forman
Professor Rodas
Utopian Fiction
Conference Paper Proposal
Rationale
I propose to write two separate shorter conference papers (15-20 pages each), on the topics of post-apocalyptic adult fiction and young-adult survival fiction respectively. The two are obviously connected thematically, but in analyzing the two types of literature I will not attempt, in the longer papers, to draw direct connections. After these two papers are written, I will write a short paper describing the links I have found between them.
Post-apocalyptic fiction is abundant and not, of course, all good. What is most fascinating to me is the incredible range of ideas authors have about the “end of the world”, which, for the purposes of my conference project, does not just describe a literal, physical destruction, but includes nuclear war, natural disasters, epidemic diseases, government coups or revolutions—in sum, anything that destroys a large part of the human population or destroys its ability to live comfortably on Earth (assuming that our current situation is “comfortable”). In general, I think I will find that it means a collapse of order or regulation in a national or global sense.
The
main idea of this paper will be analyses of human reactions to the apocalypse. Having
only very small tastes of what a modern apocalypse might be like—taking the
atom bombings of
My second conference paper will concern young-adult survival fiction. While researching possible literature to include in the project, I realized that in elementary school I had been assigned an inordinate amount of these sorts of books—definitely more than I was of any other young-adult genre. Rarely were the characters of books happy, healthy, or safe at home. Rather, they were abandoned—runaways—alone in some bizarre adventure—struggling with their own importance and abilities to survive. In fifth grade alone I read Island of the Blue Dolphins, in which a native girl is left alone when her tribe leaves their island; Z for Zachariah, in which the entire population of the world is wiped out by radiation, save for one girl and one man; Timothy of the Cay, about a young boy and an older man shipwrecked on an island; The Sign of the Beaver, telling the story of a young man in colonial America, living alone through a harsh winter in a log cabin he and his father built in a land of wilderness; and probably several more which I don’t remember well. Why are so many of these books geared towards young boys and girls? When I researched them, I came up with dozens of lists, hundreds of books—many were teachers’ recommendations. My idea is that they all emphasize contrast, whether between different types of people or opposite kinds of places. The use of contrast is intended to thrust characters out of comfort zones and demand that they recognize themselves as individuals. Rarely if ever do these books place importance on any sort of authority, like parent figures or guardians. Are any of these books without a moral undertone? I will attempt to discover, or at least to satisfy my own curiosity about, whether each author intended his or her book to teach a lesson, using endings of books in particular to derive what message the author wished to convey.
Plan of Conference Progression
By 2nd Conference (Feb 9):
--Have read Warday, Nature’s End, and Julie of the Wolves
--Have created conference proposal
By 3rd Conference (Feb 23)
--Have read three or more of the
following: Hiroshima, Alas, Babylon, Earth Abides, The Stand, On the Beach (Note: Dependant on timely
arrival of books from Amazon. If this doesn’t happen, I’ll find whatever books
from the list below are in our library.)
--Drawn up notes on my conclusions and analysis—very rough outline of paper
By 4th Conference (March 9)
--Have finished reading the above selection and what I can find in the library
--Have written the first paper on post-apocalyptic fiction
By 5th Conference (April 6)
--Have read three or more of the following: Island of the Blue Dolphins, Hatchet, The River, Timothy of the Cay, The Sign of the Beaver, Z for Zachariah.
--Have written up notes and a rough outline of my paper and arguments.
By 6th Conference (April 20)
--Have finished reading the above selection and whatever else I can find from the below list in the library
--Have written the second paper on young adult survival fiction
By 7th Conference (May 4)
--Have written the final short paper on the connections I see between the two papers/genres.
Working Bibliography
Post-Apocalyptic Fiction
Baxter, Stephen. Moonseed.
Boulle,
Brin, David. The
Postman.
Bradbury, Ray. Fahrenheit 451.
Brinkley, William. Last Ship.
Burgess, Melvin. Bloodtide.
Card, Orson
Scott. The Folk of the Fringe.
Clayton, Bruce D. Life After Doomsday.
Crichton, Michael. The
Andromeda Strain.
Danvers, Dennis. Circuit of
Heaven.
DuBois, Brendan. Resurrection
Day.
Frank, Pat. Alas,
Graham, David. Down to a Sunless Sea.
Goonan, Kathleen. Queen City Jazz.
Hendrix, Howard. Empty Cities
of the Full Moon.
Hersey, John.
Johnson, George
Clayton; Nolan, William F. Logan’s Run.
Kerr, Philip. The Second Angel.
King, Steven.
The Stand.
Kunetka, James;
Strieber, Whitley. Nature’s End.
Kunetka, James;
Strieber, Whitley. Warday.
McDevitt, Jack. Eternity
Road.
Miller, Walter A. A Canticle for Leibowitz.
Morrow, James. This is the Way
the World Ends.
Niven, Larry. Lucifer’s Hammer.
Read, Piers Paul. Alive.
Shute, Nevil. On
the Beach.
Silverberg, Robert. The Alien Years.
Stewart, George R. Earth Abides.
Updike, John. Toward the End of
Time.
Williamson, Jack. Terraforming Earth.
Wren, M. K. A Gift Upon the Shore.
Useful
Websites:
Alsos Digital Library for Nuclear
Issues.
November 2005. National Science Digital Library; Washington and Lee University;
Nuclear Pathways.
Apocalyptic and post-apocalyptic science
fiction. February 2006. Wikipedia.
Empty World. October 2005.
Keene, Brian. Brian Keene’s Message Board Madness. June 2004.
Lockley, Lucy. The Afternoon After the End of
the World. October 1997.
Sanes, Ken. Transparency. 2000.
Tom Morton. Post Apocalyptic Media. 1997.
Young Adult Survival Fiction
Baird, Thomas. Walk out a
Brother.
Belden, Wilanne Schneider. Mind-Hold.
Blackwood,
Byars, Betsy Cromer.
Campbell, Eric. The
Shark Callers.
Carter, Alden R. Between
a Rock and a Hard Place.
Christopher, Matt. Stranded.
Clark, Mavis Thorpe. If the Earth Falls In.
Cleaver, Vera. Where
the Lilies Bloom.
Clifford, E.
The Curse of the Moonraker.
Dyer, Thomas. AWay
of His Own.
Eckert, Allan W. Incident at
Hawk’s Hill.
Forman, James D. Doomsday Plus Twelve.
George, Jean C. Julie of the
Wolves. Harper Trophy, 1972.
Golding, William. Lord of the
Flies.
Heinlein, Robert. Tunnel in the Sky.
Hobbs, Will. Far
North.
Hobbs, Will. River
Thunder.
Houston, James. Frozen
Fire.
Hyde,
Johnson, Annabell. Finders, Keepers.
Kehret, Peg. Night
of Fear.
Lawrence, Louise. Children of the Dust.
Marsden, J. Tommorrow, When the
World Began.
Masterton, David. Get Out of My
Face.
Mathieson, David. Trial By Wilderness.
Mazer, Harry. Cave Under the City.
---. The
Moeri, L. Save
Queen of
Myers, Edward. Hostage.
O’Dell, Scott. Island
of the Blue Dolphins.
Orlev, Uri. The
Paulsen, Gary. Brian’s Winter.
---. Hatchet.
---. The River.
---. The
Voyage of the Frog.
Peck, Robert Newton. Jo Silver.
Phipson, Joan. Hit and Run.
Ruckman, Ivy.
Skurzynski, Gloria. Trapped in the
Smith, Roland.
Speare, Elizabeth George. The Sign of the Beaver.
Swindells, Robert E. Brother in
the Land.
Taylor, Theodore. Timothy of the Cay.
Ure, Jean. The
Plague.