Mary Dillard

The continent of Africa has variously been described as the birthplace of humanity, the Motherland, a country, a continent, Mother Africa, and a “heart of darkness.” All of these descriptions reflect representations of Africa, but how accurately do they reflect reality? The goal of this course is to study the intellectual history of what we know—or think we know—about modern Africa. Why is it that some of the most prominent images of Africa today are either negative (e.g., Africa as a diseased, hungry, war-ravaged continent) or romanticized (e.g., Africa as a mother figure, birthplace of civilization, or lush nature preserve)? A central theme of our discussions will be that ideas have a history that is as powerful as radioactive isotopes. In other words, ideas maintain a shelf life, even when their origins have long become obscured. Unfortunately, this has profound implications for Africa’s place in a modern, media-driven, globalized world where image can be as important as reality. Through the use of historical documents, political manifestos, philosophical treatises, travel narratives, autobiographies, and current news sources, we will study how the image of Africa has changed over time. We will trace the “heart of darkness” narrative and analyze why it has become such an enduring trope of modern Africa. Near the end of the semester, we will direct a significant proportion of our class discussions toward analyzing a contemporary event occurring on the African continent (preferably as a group project). Ultimately, our purpose will be to interrogate various descriptions of Africa over time and analyze where they originated from, why they exist, whether or not they are accurate, and what they mean for the future of African peoples in a globalized, interconnected, and increasingly hot world. The structure of the course will be FYS innovative: 13 students, with biweekly conferences alternating with some kind of small-group activity, at least for the first semester. This alternating small-group activity will either be a workshopping session or an on-going group project.

This course introduces students to the fascinating history of Yonkers through the fields of public history and museum studies. The fact that Yonkers is situated in close proximity to New York City provides unique opportunities for Yonkers residents. At the same time, this sometimes means that the treasures of Yonkers are obscured by its better-known neighbor. In this class, students will develop a deeper understanding of the history, culture, and people of Yonkers by focusing on the meaning of place. We will begin the class by closely collaborating with staff at the Hudson River Museum, a major arts and cultural institution in Yonkers that is recognized nationwide. Students will study how the museum developed and the place that the museum occupies in the city’s cultural landscape. In addition to touring historic sites like Philipse Manor Hall, Sherwood House, and Untermeyer Gardens, students will study the history of places that are important to Yonkers residents, including the Dunwoodie Golf Course, the Old Croton Aqueduct, Greystone Bakery, and McClean Avenue. We will tour and analyze the city’s burgeoning public art scene in addition to learning more about some of Yonkers’ unique neighborhoods. Our ultimate goal will be to use multimedia approaches to create a “Museum in the Streets,” highlighting the people and places that make Yonkers a unique and dynamic city.

Marches, walkouts, and occupations roiled the campus of San Francisco State University in the fall of 1968. Among the organizers’ demands was the institution of the first Black Studies department in the country. More than 50 years later, Black Studies has both reshaped existing disciplines and formed departments in colleges across the nation. How might returning to this history reshape our understanding of Black Studies, of student movements, of American universities, and of history more generally? This interdisciplinary course seeks to answer these and more questions by studying the archival documents on Black Studies at Sarah Lawrence alongside history, literature, film, and theory. In this course, students will participate in a traditional seminar and will spend one session a week in the campus archives. The latter will both engage students in rigorous archival research and result in a conference project helping to narrate the understudied history of Black Studies at Sarah Lawrence. Authors and filmmakers may include W. E. B. Du Bois, Nella Larsen, Zadie Smith, Spike Lee, Robin Kelley, and more.

In modern Africa, equity in education—whether in relation to gender, ethnicity, race, class, or religion—remains an important arena of debate. As formal colonial rule ended on the continent and more African nations gained independence, education became synonymous with modernity and a leading indicator of a country’s progress toward development. Gender and class biases played (and continue to play) a powerful role in determining who received access to formal education. Even though traditional education was believed to be “accessible to all,” the demands of traditional education were often arduous, painful, and in direct conflict with Western schooling. While African governments and multilateral organizations like the United Nations and UNICEF emphasize the importance of more children attending school, disruptions as a result of political conflict, civil war, or infectious disease (including tuberculosis, HIV/AIDS, and now COVID-19) undermine families’ abilities to keep children in school. This class studies the history of education in Africa, focusing on a wide variety of training, classroom experiences, and socialization practices. In particular, we will investigate the influence of gender in defining access to educational opportunity. An awareness of the significance of both formal and nonformal education has been reflected within the realms of African politics, popular culture, literature, and film. Because of this, we will use a range of sources to investigate how gender influences access to educational opportunity. We will begin by questioning prevailing constructs of gender and determine how relevant Western gender categories have historically been for African societies. By focusing our readings on countries as diverse as Nigeria, Tanzania, Ethiopia, Senegal, and South Africa, students will develop a broad overview of educational policy changes and practices across the continent and leave the class better able to analyze debates about education in Africa.

This course introduces students to the best practices of oral history by analyzing the works of women who have been historically marginalized. We will focus on the stories of African, African American, and Caribbean women, while studying ongoing debates in the field of oral history. By using ethnographies, life histories, oral histories, biographies, and autobiographies, we will answer the following questions: How can oral history be used to provide a more inclusive rendering of the past? How have women used various forms of voice to represent themselves and tell their own stories? What are the limitations of any historical research method (including oral history), and what are the ethical implications of both the digital revolution and the digital divide for oral historians? For the purposes of this class, “memory” will be defined broadly to include not only the mental recall that people utilize when responding to interview questions but also hidden, political, and public memories.

How does an individual’s gender expression determine how s/he/they receive health care in Africa? In what ways does gender influence who provides health care, the kind of care that they offer, or the social determinants of peoples’ health? In the 19th, 20th and early-21st centuries, African citizens, refugees, and internally displaced persons have had to cope with a range of health care challenges. These include: high levels of disability as a result of car accidents and work-related injuries; disruptions to health care services and food provision stemming from war or political unrest; lack of supplies and access to quality care, resulting from neoliberal economic policies; and, most recently, the challenges of food insecurity due to seasonal locust infestations. These concerns paint a bleak picture of the status of health and health care provision in Africa. Epidemics like ebola and cholera complicate conditions for people seeking to improve the quality of their health. In addition, pandemics like HIV/AIDS and now COVID-19 have transformed demographics and gender relations in both predictable and unexpected ways. Despite these challenges, millions of African men, women, and children find ways to survive and respond creatively in order to address their needs for health and wellbeing. This class is organized around the understanding that the idea of “good health” is a useful critical lens through which to analyze gender-related questions. How do women, men, and LGBTQ+ individuals organize, navigate, and seek care in order to attain good health? What historical, political, and economic factors influence the provision of quality health care? How have African citizens, governments, faith communities, activists, and indigenous healers responded to the challenges associated with disease and the goal of maintaining good health? Because the African continent is massive and every country is complex and diverse, this class will use case studies from countries like Rwanda, South Africa, Nigeria, Tunisia, Ethiopia, and Kenya to answer these questions. In addition, students will be able to choose other African countries to study in depth in order to gain as broad a picture as possible of this complex and important topic. While we will primarily focus our inquiries by using historical works, we will actively monitor innovations in African countries resulting from the COVID-19 pandemic with the goal of developing a deeper understanding of what it takes to maintain a sense of “good health” in Africa.

The continent of Africa has variously been described as the “birthplace of humanity,” the “Motherland,” a country, a continent, “Mother Africa,” and a “heart of darkness.” All of these descriptions reflect representations of Africa, but how accurately do they reflect reality? The goal of this class is to study the intellectual history of what we know—or think we know—about modern Africa. Why is it that some of the most prominent images of Africa today are either negative (e.g., Africa as a diseased, hungry, war-ravaged continent) or romanticized (e.g., Africa as a mother figure, birthplace of civilization, or a lush nature preserve)? A central theme of our discussions will be that ideas have a history that is as powerful as radioactive isotopes. In other words, ideas maintain a shelf life even when their origins have long become obscured. Unfortunately, this has profound implications for Africa’s place in a modern, globalized world, where image can be as important as reality. Through the use of historical documents, novels, political biographies, philosophical treatises, travel narratives, current news sources, and blogs, we will study how the image of Africa has changed over time. We will trace the “heart of darkness” narrative and analyze why it has become such an enduring trope of modern Africa. Ultimately, our purpose will be to interrogate various descriptions of Africa over time and analyze where they originated from, why they exist, and whether they are accurate.

The goal of this class is to introduce students to the best practices of oral history interviewing, theory, and methodology. Around the world, oral history has been used to uncover the perspectives of marginalized groups and to challenge “official” historical narratives. Oral history is a mainstay of social history, helping researchers uncover voices that might otherwise be ignored and giving people the opportunity to “speak back” to the past. In this regard, oral history is a crucial method in a historian’s toolkit. Life histories enable us to focus on individual experiences and consider the historical significance of one person’s life. Long used by anthropologists and sociologists, life-history methods continue to be rediscovered by historians seeking to enrich their understanding of the past. Conducting oral-history research involves a great deal more than sitting back and pressing “play” on a recording device. Researchers must approach their work with knowledge, rigor, respect, and compassion. Toward the goal of developing substantive research skills, this class will focus on several important questions associated with oral history: What is the role of memory and how does memory function in the process of conducting oral history? What is the role of intersubjectivity, and how much does the researcher influence the interview process? How should researchers catalog and disseminate their work to make it accessible to a wide audience? What are the political and ethical considerations of doing oral-history or life-history research, and how are they different from other types of history methodologies? Final projects for this class may include podcasts, film, creative work, or an analytical paper.

The goal of this class is to introduce students to the best practices of oral-history interviewing, theory, and methodology. Oral-history methodology has moved from being a contested approach to studying history to becoming an integral method for learning about the past. Around the world, oral history has been used to uncover the perspectives of marginalized groups (women, ethnic minorities, workers, LGBTQI communities) and to challenge “official” historical narratives. It is now a mainstay of social history, helping researchers uncover voices that might otherwise be marginalized or ignored. In this regard, oral history has become one of the most important methods in a historian’s toolkit. Life histories enable us to focus on individual experiences and consider the historical significance of one person’s life. Long used by anthropologists and sociologists, life-history methods continue to be rediscovered by historians seeking to enrich their understandings of the past. Conducting oral-history or life-history research entails more than listening to someone talk and recording what he or she has to say. Researchers must approach their work with knowledge, rigor, respect, and compassion for their research subjects. Toward the goal of developing those skills, this class will focus on several contentious questions associated with oral history. Questions that we will ask include: Is there a feminist oral history that is different from other kinds of historical inquiry? What is the role of memory? What is the role of intersubjectivity, and how much does the researcher influence the interview process? How should researchers catalogue and make their work accessible? Are there ethical considerations to doing oral-history or life-history research, and are they different from other types of historical methodologies? How have social-media and digital technologies changed the practice of oral history, and what ethical/methodological questions do those technologies raise?

This course introduces students to the fascinating history of Yonkers through the fields of public history and museum studies. The fact that Yonkers is situated in close proximity to New York City provides unique opportunities for Yonkers residents. At the same time, this sometimes means that the treasures of Yonkers are obscured by its better-known neighbor. In this class, students will develop a deeper understanding of the history, culture, and people of Yonkers by focusing on the meaning of place. We will begin the class by closely collaborating with staff at the Hudson River Museum, a major arts and cultural institution in Yonkers that is recognized nationwide. Students will study how the museum developed and the place that the museum occupies in the city’s cultural landscape. In addition to touring historic sites like Philipse Manor Hall, Sherwood House, and Untermeyer Gardens, students will study the history of places that are important to Yonkers residents, including the Dunwoodie Golf Course, the Old Croton Aqueduct, Greystone Bakery, and McClean Avenue. We will tour and analyze the city’s burgeoning public art scene in addition to learning more about some of Yonkers’ unique neighborhoods. Our ultimate goal will be to use multimedia approaches to create a “Museum in the Streets,” highlighting the people and places that make Yonkers a unique and dynamic city.

This course combines an intensive one-week seminar with independent study culminating in the capstone paper.

This yearlong course is designed for students who are writing MA theses in women’s and gender history. We will discuss the historiographical dimensions of thesis work; assess various research methods, interpretive models, and theories of history; and grapple with practical questions about writing and documentation. Readings include historical with scholarship, theoretical works, and research guides. At critical junctures, students will also read and evaluate each other’s work.

This yearlong course is designed for students who are writing MA theses in women’s and gender history. We will discuss the historiographical dimensions of thesis work; assess various research methods, interpretive models, and theories of history; and grapple with practical questions about writing and documentation. Readings include historical works with scholarship, theoretical works, and research guides. At critical junctures, students will also read and evaluate each other’s work.

This intensive seminar is designed for students and practitioners who seek to apply historical knowledge to issues of gender policy and advocacy. Readings, discussions, and a wide range of guest speakers will address policy initiatives and advocacy projects that make impacts on women’s lives on local, national, and international levels. Students will acquire skills and knowledge essential to careers in public service, NGOs, and elsewhere in the nonprofit sector.